Film Analog photography blog

Analog photography blog

Because I started on analog film and for some years I have returned to it, I will describe more about the different experience on analog, about the living spirit of the chemical process that forms the image on the plastic support.
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Pentru ca am inceput pe film analog si de ceva ani am revenit la acesta o sa descriu mai multe despre experienta diferita pe analog, despre spiritul viu al procesului chimic care formeaza imaginea pe suportul de plastic.
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Teorie – Triunghiul magic Lucrurile ar fi fost mai simple in practica daca plecam de la teorie. Parametrii revelatorului se refera la triunghiul magic, asemanator celui din fotografie, insa e format de sensibilitate ISO, granularitate si acutanta-claritate. Din pacate nu se pot maximiza toti cei 3 parametrii, de regula formula chimica e optima pentru 1-2...
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Theory – The magic triangleThings would have been simpler in practice if I could start from theory. The parameters of the developer refer to the magic triangle, similar to the one in the photo, but it is formed by ISO sensitivity, granularity and sharpness-acutance.Unfortunately, not all 3 parameters can be maximized, usually the chemical formula...
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My beginnings in photography were on film just before I received a Smena 8M as a gift, the most affordable device, rangefinder type. This is because my father updated with technology, I already had 8mm movies without sound that I watched with a Russian projector and many family photos on paper but also slides. It...
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Inceputurile mele in fotografie au fost pe film chiar inainte sa primesc cadou un Smena 8M, aparatul cel mai accesibil ca pret, de tip rangefinder. Aceasta deoarece tata era in pas cu tehnologia, aveam deja filme pe 8mm fara sonor pe care le vizionam cu un aparat de proiectie tot rusesc si multe fotografii de...
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De-a lungul timpului am adunat mai multe aparate pe film, fie cu setari complet manuale fie automate, fiecare cu calitatile sau limitarile sale. Aceasta e o mica prezentare generala.
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Mamiya RZ67 Professional II
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